how do i upload libraries to chief architect

Considering both the palace and exhibition hall follow conventional structures, I have decided to introduce the large-span structure commonly found in industrial buildings, creating vast interior spaces to effectively showcase the city's inherent pride. With this in mind, I have concealed the art museum, avoiding any alteration to the established ambiance above. To maintain the stable landscape of the museum, I believe the art museum should adopt a more modest approach. I gathered these fragmented pieces into the preceding text. Standing at the northeastern corner of the palace, the white Museum of the History of Northeast China Under Japanese Occupation, designed by Master Qi Kang, features a gently sloping roof that bows beneath the palace's principal ridge. However, its construction exhibits meticulous attention to detail, as the grand roofs harmoniously merge Western classical elements with restrained yet exquisite ornamentations. The palace of the Manchurian Regime doesn't occupy much area, so much so that it gives me an impression of a transitional palace. Its inherent pride radiates an unwavering optimism, refusing to surrender. Presently, it remains a pivotal industrial center, resonating with echoes of its former grandeur. It is a different idea of the web, which we might call slow web.įragments: symbols, metaphors, parallels and othersĬhangchun, in its bygone days, held the esteemed position of being the most developed city in East Asia. banners, pop-ups or other distracting noise. No 'click me,' 'tweet me, 'share me,” 'like me.' No advertising. Behind all this there is the certainty that we can do better than the fast, distracted web we know today, where the prevailing business model is: 'you make money only if you manage to distract your readers from the contents of your own site.' With divisare we want to offer the possibility, instead, of perceiving content without distractions. A long, patient job of cataloguing, done by hand: image after image, project after project, post after post. Every Collection in our Atlas tells a particular story, conveys a specific viewpoint from which to observe the last 20 years of contemporary architecture.

Our model was the bookcase, on whose shelves we have gathered and continue to collect hundreds and hundreds of publications by theme. So we began to build divisare not vertically, but horizontally.

May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the 'cover story,' 'the focus.'Ĭontent that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to rapidly slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2.

How do i upload libraries to chief architect